# Patterns in winning World Championship of Public Speaking speeches

The World Championship of Public Speaking, administered annually by Toastmasters International, represents the culmination of a rigorous, multi-tiered elimination tournament that evaluates the oratorical capabilities of over 30,000 global participants [cite: 1, 2, 3]. Since its inception in 1938, the competition has functioned as a primary incubator for public speaking techniques, evolving from early mid-century oratorical traditions into a highly specialized global event featuring competitors from over 140 countries [cite: 1, 4]. Analyzing the performances that secure this championship reveals distinct, empirical patterns in how elite speakers engineer their narratives. The successful championship speech is not an intuitive or entirely spontaneous performance; rather, it is a meticulously calculated rhetorical architecture optimized for a highly specific evaluative rubric, strict temporal constraints, and maximum psychological impact on the audience.

## Institutional Framework and Evaluative Criteria

To deconstruct the mechanics of a championship speech, one must first examine the institutional constraints and evaluative metrics that govern the competition. The contest operates through a series of progressive elimination rounds, beginning at the local club level and advancing through Area, Division, District, and Region Quarterfinal stages, culminating in the Semifinals and the World Championship final round held at the annual Toastmasters International Convention [cite: 1, 5, 6]. 

The most rigid institutional constraint placed upon competitors is the strict adherence to time limits. Contestants are required to deliver a speech lasting between five and seven minutes [cite: 1]. While a 30-second grace period is afforded, any speaker who concludes their presentation before four minutes and thirty seconds, or continues speaking past seven minutes and thirty seconds, faces automatic disqualification [cite: 7, 8]. This precise boundary necessitates extreme calculation in pacing, particularly when speakers must account for the unpredictable variable of live audience reaction.

The speeches are evaluated by a panel of judges using a standardized 100-point rubric. Judges are bound by a strict code of ethics requiring them to avoid bias regarding a contestant's club affiliation, age, sex, race, creed, national origin, profession, or political beliefs, and they are expressly forbidden from timing the speeches themselves, leaving that responsibility to designated officials [cite: 9, 10, 11]. The rubric itself is the primary driver of speech architecture, as it heavily prioritizes the structural and thematic value of the content over the physical or vocal flourishes of delivery [cite: 9].

| Evaluation Category | Point Value | Core Criteria Addressed |
| :--- | :--- | :--- |
| **Content: Speech Development** | 20 points | Efficacy of structure, organization, support material, and logical transitions. |
| **Content: Effectiveness** | 15 points | Achievement of the speech's primary purpose, audience interest, and overall reception. |
| **Content: Speech Value** | 15 points | Originality of thought, underlying logic, and the speech's contribution to the audience's thinking. |
| **Delivery: Physical** | 10 points | Appearance, body language, purposeful gestures, facial expressions, and strategic use of the speaking area. |
| **Delivery: Voice** | 10 points | Vocal flexibility, pitch variation, volume control, and rate of speech. |
| **Delivery: Manner** | 10 points | Directness, assurance, enthusiasm, and establishing an emotional connection with the audience. |
| **Language: Appropriateness** | 10 points | Selection of terminology relating to the speech purpose and suitability for a diverse, international audience. |
| **Language: Correctness** | 10 points | Proper grammar, accurate pronunciation, and mastery of linguistic and rhetorical tools. |



The rubric allocates half of the total score directly to content, emphasizing that performative capability cannot compensate for a weak narrative structure.

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 A speech must deliver a substantive, inspirational takeaway grounded in personal narrative to achieve high marks in the "Effectiveness" and "Speech Value" categories [cite: 9, 12].

## Narrative Architecture and Structural Archetypes

To satisfy the rubric's demand for substantive development within a highly restricted timeframe, winning speeches almost universally employ a compressed variation of Joseph Campbell's "Hero's Journey" [cite: 13, 14]. Because the speaker only has seven minutes, the traditional mythological framework is condensed into a tight, three-act structure designed to establish immediate rapport, introduce a relatable complication, and resolve with an inspirational, universal truth. 

The structure functions as a seven-minute emotional wave. The trajectory typically maps time along the horizontal axis against an emotional tone on the vertical axis, moving from a high-energy, positive setup down into a valley of negative vulnerability, culminating in a sharp pivot—often referred to as the turn—and an ascending climax that resolves on a triumphant note [cite: 13, 14].

### The Setup and The Complication

The opening phase must establish the status quo and secure audience attention within the first 30 seconds [cite: 15]. Elite speakers rarely utilize traditional introductions, favoring immediate immersion through unexpected visuals or self-effacing anecdotes. For instance, the 2015 champion Mohammed Qahtani opened his speech by silently placing a cigarette in his mouth and attempting to light it on stage, introducing an incongruity that immediately arrested the audience's attention before transitioning into a discourse on the power of words [cite: 16]. Similarly, Aaron Beverly, the 2019 champion, began his speech while wearing traditional Indian wedding attire, leveraging visual novelty to launch a humorous narrative regarding a cross-cultural wedding [cite: 13].

Following the initial engagement, the narrative must predictably descend into the complication. To avoid alienating the audience through a display of unblemished success, the speaker must experience failure, rejection, or profound loss. This stage requires significant vulnerability. In his 2014 winning speech, Dananjaya Hettiarachchi detailed a series of juvenile arrests and academic failures, noting that life often has a cruel way of picking out an individual's petals, breaking them in two, and throwing them into the trash [cite: 17]. Ramona J. Smith, the 2018 champion, utilized a boxing metaphor to describe her life's complications, physically demonstrating the impact of academic failure and personal hardship as a series of punishing jabs and hooks [cite: 18, 19].

### The Turn and The Resolution

The psychological fulcrum of a championship speech is the anagnorisis, or "the turn." In the context of competitive public speaking, the protagonist—the speaker—rarely discovers the solution to their complication in isolation. The realization is typically facilitated by an external catalyst, such as a mentor figure, a loved one, or a profound external event, ensuring the speaker maintains a humble ethos [cite: 14]. Hettiarachchi's turnaround was driven by a mentor who intervened, famously telling him, "I see something in you, but I don't know what it is" [cite: 17, 20]. Sabyasachi Sengupta, the 2025 champion, located his turn in a corporate boardroom, realizing that he did not need a traditional theatrical stage to be a performer, discovering he could unleash his energy with nothing but a clicker and a projector [cite: 21]. 

Following the turn, the speaker resolves the conflict and translates their personal victory into a universal lesson. This lesson is typically distilled into a "foundational phrase." As advocated by 1999 champion Craig Valentine, this phrase should be short, memorable, and occasionally rhythmic, allowing a listener of any age to easily recall the core message [cite: 14]. Winning examples include Aaron Beverly's plea for "acceptance despite difference," and Sengupta's closing exhortation to step onto the stage of life and "just nod" [cite: 7, 22].

### The Optimization of Speech Titles

The conceptual anchoring of the speech begins with its title, which serves as a prelude to the narrative. Analysis of winning speeches reveals a strong preference for titles consisting of five words or fewer, designed to provoke curiosity without revealing the thesis [cite: 15, 23]. Minimalist titles such as "Ouch" (Darren LaCroix, 2001), "Speak!" (LaShunda Rundles, 2008), and "Ndini"—a Shona word meaning "this is me" (Cyril Junior Dim, 2022)—operate as recurring motifs that the speaker returns to during the climax [cite: 23]. A notable deviation occurred in 2016 when Aaron Beverly utilized a 57-word title for explicit comedic effect, subverting institutional norms, though he ultimately placed second that year before winning in 2019 with the standard three-word title "An Unbelievable Story" [cite: 22, 23].

## Strategic Application of Humor

While the World Championship of Public Speaking is distinct from Toastmasters' dedicated Humorous Speech Contest, comedy is an indispensable mechanism for audience retention. Humor breaks down psychological barriers, rendering the audience more receptive to the deeper, vulnerable themes that characterize the middle third of the speech [cite: 7, 15]. 

### The Laugh-Per-Minute Metric and Time Management

Quantitative analysis of presentation success indicates that the density of humor is a significant predictor of competitive viability. The key metric utilized by analysts is "Laughs Per Minute" (LPM). Research suggests that top-tier speeches at the World Championship achieve an average of 1.5 to 2.0 LPM [cite: 24]. 

Recent champions have significantly exceeded this baseline. Sabyasachi Sengupta's 2025 winning speech generated 30 distinct laughs and three rounds of mid-speech applause. Over a seven-minute performance, this equates to a remarkable density of approximately one laugh every 15 seconds, or 4.0 LPM [cite: 7]. This intense concentration of humor serves a dual psychological purpose: it maximizes continuous audience engagement and establishes a high-energy, joyful baseline that causes the subsequent serious moments to register with much greater emotional weight due to the stark contrast [cite: 7].

However, maintaining a high LPM introduces a severe logistical challenge regarding time management. When a speaker elicits laughter from a live audience of 1,000 to 3,000 individuals, the acoustic wave of laughter requires time to roll through the auditorium and subside. A speaker cannot simply talk over the laughter without alienating the audience or ruining the delivery of subsequent lines [cite: 22, 25]. In Sengupta's case, his final speech concluded at approximately 7 minutes and 20 seconds; calculations indicate that over a full minute of his total stage time was consumed entirely by holding space for audience laughter [cite: 7]. Consequently, speakers must meticulously calibrate their rehearsal times to conclude near the 6:00 or 6:05 mark in empty-room practice, ensuring they do not breach the strict 7:30 disqualification threshold under the pressure of live audience reaction [cite: 7].

### Rhetorical Devices: Misdirection and Tricolons

Championship humor rarely relies on traditional, structured joke-telling; rather, it utilizes embedded rhetorical devices to generate organic laughter. A primary technique is misdirection, wherein the speaker establishes a clear expectation and then abruptly violates it with an incongruous element. Sengupta utilized this by opening his speech on his knees, declaring affectionately, "I love you so, so much." The audience naturally assumed he was addressing a child or an animal, only to realize he was expressing his devotion to the physical stage itself [cite: 7]. 

Another frequently deployed structural device is the tricolon, commonly known as the rule of three. This involves grouping concepts in threes, where the first two elements establish a logical pattern, and the third acts as a comedic subversion. When recounting his childhood, Sengupta utilized a tricolon by stating that growing up in India presented him with three career options: "a doctor, an engineer, or a disappointment" [cite: 7]. By integrating visual metaphors with verbal delivery—such as executing specific hand gestures described as "fixing a bulb" and "patting a dog" to comedically explain Bollywood dancing—speakers ensure the humor is visually accessible, triggering a deeper emotional response from a multicultural audience [cite: 7, 26].

## The Emotional Arc and Delivery Mechanics

If humor secures the audience's initial attention, vulnerability secures their enduring emotional investment. A defining characteristic of a successful WCPS speech is the manipulation of physical space and pacing to delineate between high-energy comedy and deep emotional gravitas [cite: 7].

### The Architecture of Silence

One of the most potent, yet challenging, tools in elite public speaking is the intentional, un-filled pause. While novice speakers frequently fear moments of "dead air," reflexively filling them with vocal disfluencies, world champions actively weaponize silence [cite: 19]. 

In her 2018 championship speech, Ramona J. Smith masterfully utilized authoritative silence to command the room. After delivering a critical point or arriving at the climax of her boxing metaphor, she implemented extended pauses—sometimes lasting several seconds—allowing the gravity of her statements to fully permeate the audience [cite: 19]. This deliberate manipulation of pacing shifts the audience from a state of passive listening to active absorption. Observers note that intentional silence creates intimacy and serves as a powerful signal to the judging panel that the speaker is entirely in command of their material, possessing the confidence to let an idea resonate without immediately rushing to the next sentence [cite: 19].

### Intentional Stage Choreography

In the context of the World Championship, physical movement is never arbitrary. The stage is frequently compartmentalized to represent different chronological timelines, geographical locations, or internal emotional states. 

Speakers utilize specific staging points to assist the audience in following complex narratives. For example, when portraying a two-person dialogue, a speaker will direct their gaze and angle their body to the right when assuming the persona of one character, and abruptly shift their stance and gaze to the left when portraying the other, eliminating the need for constant dialogue tags [cite: 7]. Furthermore, physical movement is modulated to match the narrative tension. Aaron Beverly explicitly increased the speed and choppiness of his physical movements during the complication phase of his 2019 speech to visually simulate a sense of chaos and frenzy, complementing his rapid vocal delivery [cite: 22]. Conversely, a transition from an open, expansive posture during the introduction to a closed, diminished posture visually reinforces the narrative descent into failure or disappointment without requiring explicit verbal explanation [cite: 7].

## Evolution of Stylistic Paradigms

The prevailing style of a WCPS-winning speech has evolved significantly over the past three decades. The strategies rewarded by judging panels in contemporary competitions differ starkly from those that dominated the late twentieth century, reflecting broader shifts in global communication preferences.

### The Transition from Theatrical to Conversational Styles

In the late 1990s and early 2000s, the dominant paradigm in championship speaking was heavily theatrical. Speeches from this era were frequently characterized by highly choreographed, sweeping gestures, dramatic vocal modulation, exaggerated character voices, and occasionally, the prominent use of physical props [cite: 27, 28]. While this style was highly effective within the cultural context of the time, modern critics of the Toastmasters curriculum have argued that it occasionally fostered a "style over substance" approach. Critics suggested that an institutional obsession with eliminating filler words and prescribing rigid stage movements resulted in performances that felt over-rehearsed, artificial, and reliant on basic, cliché motivational tropes that lacked intellectual rigor [cite: 27].

Over the last decade, the aesthetic has shifted dramatically toward conversational authenticity. The turning point is widely considered to be Dananjaya Hettiarachchi's victory in 2014. Hettiarachchi actively abandoned overt, booming theatrics in favor of a "purist" approach—a relaxed, highly conversational style that utilized a single, non-intrusive prop (a flower) and felt more akin to an intimate dialogue than a staged performance [cite: 29]. This authenticity paradigm requires speakers to cease emulating the booming oratorical styles of previous Western champions and instead embrace their unique cultural identities and natural speaking cadences [cite: 2, 14].

| Stylistic Era | Dominant Characteristics | Delivery Focus | Representative Tone |
| :--- | :--- | :--- | :--- |
| **1990s - 2000s** | Highly theatrical, grand stage movements, dramatic character voices, overt pacing, prominent props. | Performance-centric; projecting a polished presentation *at* the audience. | Oratorical, highly choreographed, somewhat formal [cite: 27, 28]. |
| **2010s - Present** | Conversational, restrained movement, vulnerability, self-deprecation, cultural authenticity. | Connection-centric; facilitating an intimate conversation *with* the audience. | Authentic, grounded, vulnerable, naturalistic [cite: 7, 29]. |

This stylistic shift parallels the increasing globalization of the competition. The last decade has witnessed a significant rise in non-Western champions, with winners hailing from Sri Lanka (2014), Saudi Arabia (2015), Singapore (2016), South Africa (2021), Zimbabwe/Poland (2022), and the Netherlands (2025) [cite: 4, 30]. These speakers brought diverse communication frameworks to the stage, blending elements of high-context and low-context cultures, and demonstrating that global resonance relies on the articulation of universal human vulnerabilities rather than rigid adherence to traditional Western oratorical tropes [cite: 31, 32].

### Adaptations for Virtual and Hybrid Formats

The COVID-19 pandemic introduced the most severe disruption to the mechanics of competitive public speaking in the organization's history. In 2020, the World Championship became an all-virtual event, a format that fundamentally altered the physics of public address and required a radical recalibration of delivery techniques [cite: 33, 34].

Virtual and hybrid formats forced speakers to translate three-dimensional stage presence into a two-dimensional camera frame, creating several new strategic requirements [cite: 35, 36]. First, the restriction of the Z-axis required physical moderation. While reaching forward toward a live audience creates connection, performing the same gesture toward a webcam creates a distorted, looming effect with oversized hands filling the frame; consequently, virtual competitors had to constrain their gestures strictly to the X and Y axes (up/down, left/right) and keep them closer to the body [cite: 35].

Second, speakers had to rely on heavy vocal compensation. Without the buoyancy of physical stage movement, the speaker's voice had to carry significantly more weight. Pitch, pacing, and energy had to be heightened to tether the audience to the screen and combat inevitable digital distractions [cite: 35, 36]. 

Finally, virtual competitors faced the psychological hurdle of the absence of contagious laughter. Because virtual audiences are typically muted to prevent audio feedback, speakers could not rely on the auditory confirmation of laughter. This removed the necessity—and the ability—to pause for laughter, forcing speakers to fundamentally alter their pacing. Pausing for a joke that receives no audible response creates awkward tension on video, requiring speakers to seamlessly bridge their humor without waiting for a reaction [cite: 25]. Although the World Championship finals have since returned to hybrid and in-person formats, the technical competencies developed during this era remain highly relevant, and Toastmasters International has permanently integrated an "Online Speech Contest" track into its official rulebook [cite: 5, 37].

The World Championship of Public Speaking remains a premier laboratory for the study of rhetoric. Securing the title requires far more than natural charisma; it demands a rigorous adherence to structural archetypes, the strategic deployment of high-density humor, and the courage to utilize vulnerability and silence to forge an emotional tether with the audience. Furthermore, the evolution of the contest demonstrates a clear trajectory away from rehearsed theatricality in favor of conversational authenticity, rewarding speakers who leverage the constraints of a seven-minute window to deliver a transformative, universally resonant message.

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88. [www.bppe.ca.gov](https://www.bppe.ca.gov/webapplications/annualReports/2021/document/0b5ae376-69fa-4db6-bb5b-6ef4c9084a60)
89. [dokumen.pub](https://dokumen.pub/public-speaking-and-the-new-oratory-a-guide-for-non-native-speakers-1st-ed-2019-978-3-030-22085-3-978-3-030-22086-0.html)
90. [trueheart.org.uk](http://trueheart.org.uk/wp-content/uploads/2013/05/Thesis-MA-Practice-as-Research-.pdf)

**Sources:**
1. [amberwillo.com](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQE0pR12eNRbQeZFXPOUearJxgepiuiB6rVI2ae_T1i6C5hzTWwmRi1jALeTsc1lJ6QJSmKYN4Q3Kxx-c44d7s5TYwzp48qbVYMuKcI9rPiw8mEEO5IDgez6FO_e7I6v7aa7LQypbcSB2fqybud_LlK3lVx3vw==)
2. [theactioncatalyst.com](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQFgOqDjxGZik1oYGABSoMwZvcWF8jKEwVrcvDEiq40JwLTBJENTRRfaZEVk-tDgRnvknon-1YfafI2aXDhBOiCOIgVp71wE8kilOdf7uJ30lFYZhO5FlYQu9uL8XQ76MqIeSl5fbLg5GPkZ5iRUBftGw60ALA05nnXxrHlJRXDo9b3CNT-UUODtsH-R9aoEeEo5cVLNFgvdH_EU7iTR3tDyPM6r-ohoZsUke50pRQujox1JXsni-2Q=)
3. [gettogether.world](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQG6fEw4W0PTcNVn81CXfDKqruRSyEJk-VEPAC87RyzKYNLYv3zResTbZ_hsLjVRhdjDn827zG_wPfI75vp7uDJnaJnodEvkVx8vPn00lQgJs1ov5BzQsEOgYUHNb4RbQ2-EGlDy)
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5. [d25toastmasters.org](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQGrHY9-zDmt_TPDJEDbfmPw8MSNuBmt-akgacoUvTm4ItKywfKW-MfZwiYyu2rOYGBMMr7fGRTubddWJ88yjKkXpKawIga1iMGWmaCqVCWSsU5BHzdkuT_fFF2gpeshkIHuEbA24hq24HKGrNkGP4mof-u8p11roI2Mno-apLj1KOHkPm7_fW2Lx8ooWk3LDtY=)
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11. [district1toastmasters.org](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQFi10qhTDipb5xtTcGuzZlOLRiam9iiI3nM82YDgJEq4H12N044dmlcX1qwdSXplHlKQHs8YnTK55ssnDjfxsU9eSmDQ5oMFmUzCE7MyoA92igiw0hRcxZM1YZxmuyXCpGgd5dkp-BtGnosZH00LCXwIiPyXdOBoBfPwFhlmvZSRqRE57a1iX42QSiXDwK2iVyvuZYutTiujxAT)
12. [bookey.app](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQFPWpD3TPjVx0yooD2rqybvqNGa6ln6cB7-n6pkyu11Ut98Kdw3ulFdijThg-cTiekHpY71ccFeoiueEsfvaZZKm0fxGq4zQYnnTkGdvZhpxHRaxW-LjeAbULC3jZdqtMAB8vhZrZq30lQsS4LxZWE=)
13. [toastmasters.org](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQEjwHoojAmkmWIZwsdX1E7v6q9GBi-NBzZSHQp3g715F-_oVHPEO4lunv6USaB_PNH1A1upG43LwToengQpFIEsxc9sEVEYNrCdM26b-0HqNmvZg2nZJnizbRvEYeYsSmv6enWk6ZBFV5kgJkQjC4fwxmG-VdZNZdHQD5CzVCrItYJlz1-yGpBIMPfc)
14. [melsherwood.com](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQETVY2oWY1yPekdaBmnFkdyOW5GLklzaVMR5AECFwIRqbn5SZS2qDveJz-6_UbnCeVJ22PmkJ36QseKUSCSpwGQSAIKXaK1LBiZEwTH6B3OBq_oF_KPcJETQGJTEzz7RsAFar59BOgJLn3HwIF9zbPBGXT0xfGXQ4KGbfWohRdjWdv-jpSRjE0pOF1uKBTrqPhDtQ==)
15. [toastmasters.org](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQEbaun4DsQKShYhOsEqkud5fd7fZAHZNuRIEGLXI6M08eW24SGDP-G5uG5ltOynko4jkr2k8LrvqA7cesP1a7QDrVSLld6SxC3Wt0W_60RBObwH-SeCLug9FI_n2Ab4fbjK85_YBafFMWNDjB8ufaL1FWw2klSRB5CGns2liZbaA4Ku9c_LfTfVMA==)
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18. [youtube.com](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQFz9LCmqliugJQvnIjEiZHS7IgRQoaKvhNVAB-8XEW5ORiVjnLXYL_IHvaAGqKxn6-U078Yw0AMdasH5SipVhnB3SrqEt93ddA_cr8hzTV0AAPO6XRm7lCcXChDMMX-ELGC)
19. [toastmasters.org](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQFBNs9joyVCYYhz9PhoPHyWA7EGka7uikd0SWal889NE4yo_bInRk2HW9t7Vnu1b3VuTYp4yVaybTOtTICtD9pTic2FELMftXVS56SFK3AGigeV65Ey--1zg3E7Zj5lYLwRBFND0Fd6AbEl3A7qWO7XKEKM543JSYDfFHsoevKdrz5NVfsyeTqwtxiASFzyO4mSDu3C)
20. [toastmasters.org](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQFZVmdyv5EPEA8oQXEdIWi94pOtG7SPTfUZVXxqttA6e5_J4Vzc3nvQ3lWqgPuMM2nGgNTHFp1aCw3_W7NrYbNvscLVHf9I1faNWu8f9tQzad6RnwBXg9nWh4qn2DrcJnttflKfaUptvrXbblKQrx-X2KxXlM9EoMxIkcAHqAs1LFiB8ckExdQdAHQUa02sAz1wO8RG163rS52rskuF1Y3TQJSF7_W-h-W4OKQ5xw==)
21. [youtube.com](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQEoE9BVK22nmOW-h1rbJCy-Ox78e7Za1fNHU6ByjlYS5K1gCHcCTw---hsksn1AADbGnOvdQM0FDtim5lsKfz4t2NtnTjHKRW2kF4zQX9fwI5hKaWbyaw_D60YAWYnLuiyl)
22. [youtube.com](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQH86BpRVJ_j3UuAh1M4AWcazMvHz6Ksf_4PN8Nu2flyMsJqXOpXn_OLbfl8UjCzVcpLPBfjmF9ZqGA1obMO_rMG3nip1l1VmN5AH6YZmzkQBJrbriBzHmlxEpeHCbY4moBa)
23. [toastmasters.org](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQGE22bQZ_t46VJCBMuLeZNlnGKpjnID-0n64sD76PHAYGHYKVgsmzlfW6px7rx_b1CRbAX6yRmX0Q2U1USaOvA5ipfXOH9PTR_-M9uYr7CYKqlODIla-T4eeuwOm2AoGUjxjzmcRqvPw6e1gzOF2fU0HIf042d-9guyO4_XzHT9QLj33p9PIUc1dSIWORko-gc=)
24. [lars-sudmann.com](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQEccTPqfOHXbV4CK2IBfqfExACW7EDVaRygJyzsPnMVyaIzIvjnlwdnFKWwbkYIGtruUsUSjY5od-m8uLnEpYD2b9hIvoCZNQKC5BvroAih0V7Ant-xztTuyJW6szSGKJzDSTgGpaIWTmyS9lL8J6U6rdDaN2VMStPkW0OinhFj)
25. [youtube.com](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQHcybctRPSx6KcPg8zwCkOdoapWuHKJvbiWPz9F54hjjKDljorPT8ckrsWSZtA-g5U0EsZF2hJa20sZjndcq3iziSg9KQUYTMvTO-EzlcNvkm0A--FukbQoyqijatzig1IV)
26. [youtube.com](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQEq4F8MLFmaYs368rpbgI0K2TciN_LOIv4QI9QRiJsH3thes7nqO0yPH4R4Ix6XPzhOjJv0cbbOM6AftSc9Q09E0G2es4Lz91fp22Neh36M4mzgQWaajKMUxDXZvNlQiFVr)
27. [medium.com](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQEJD-epk56ihCFYp1AKo9ogFB-Zf4BcTuhH8yxZE8I_TJu7UIDdrEXbqbNViBBZhnkce5Hw1gbFdd10IdlRQknnMqDXuk1CsZeEH2DQqZKqWj3QsgBtfFIBQZUFfkJ1y_4oqZ4Q_gSv35mOTbZojBODucE=)
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29. [reddit.com](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQGgcf0IoBQtlom_cGIy235aoO65ESn1MmZoG-NfY63tJhXY1_8GojJLZ6Ntg4nWIUEOdsJCdXa_CRrPGCl_auyHX3IS07wwMRfkQ4D0Z7lFatq9ZckbIEHOtNz177CQr0uXxwIgl3dhLouUvBy1uUwSbJwCjRzOcmQ8nEO1hDkD2jkPtcDYbxSnd4vuxEBcvGipXJl5M0mtN_-v)
30. [toastmasters.org](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQGrYmGEGSHc18gOryxJLp85HcfX3l342D_HpZTaYERK4XquayDm03UyX36JDQtJc6c8fbTUK9Sf4PwI1QXQpSA8IjkC_REBvEzbPIsnpffz176TrCfshxD0jQkS1HkDP7ktIAWzPc2FpUqFBQo5cQ1VWtSFsDpERuqhNrzKKU30KGu9ozf8QW_TQcbfbZaZDVvsDPU=)
31. [toastmasters.org](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQFBk9mJVjtu8dJlAb9NpRg1Wf96XCfH23lSQmCQbmIIHAMzJjjTYLItV7XYEYqbaQdUiXc-7rtpEUthHn0A-9wNaV5IIfX1x5DE86ptWzwpT9N-bwjxz2Oq7IgXtuW59hkhnj3pyYbHb6PQgQUcX6x1NVA47CGMpHRJSHJm6FL-UgCkhXfgWP1LMQ==)
32. [lyonenglishtoastmasters.org](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQGuPprbBky6MZM41F9uGR2TNpQWFL9htNVjBBvL3zNLlckPI9jVDN529ImTEugQT8UUODIE0Ri9qnx2PRshoLUkGAXdEPuFufOkbZ4f6babqioFbrr4MnoXdWg8xX5mbAl7qB6MTCE33633FrpgxbnpftlpKfi6-yQBlJMyOZK6obk=)
33. [goonspeaking.in](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQGzFoqE1UMv1GTspiJCiDOa1uQbxwR2EFTJdvM-tk60iOAwW_39TTkVsP_zU29xLGJA-3iUhU6dGKxXdSVc9vFzMkxr0dZzQ0NQJIZVs_w4PagqZ00JcAqFaH4jpH34e88f-zyKWm9T42Le-uUe3a2YCkSHwwjPLDlq5_788UygHNKj)
34. [toastmasters.org](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQE4QVQW229utNLxg3avneqZmGfBTAPc0o0wSQFG3aXvYZ7PrLnd0-z016dEiqe1EycfMDCMw0SDUr9K1bh7h_LByHXvcuSOFYvXR4v1Tcinm-NVXDz8AuQqGNE5mEb3NmOP4V4pPKMKGqnk1MvEZ8fUXRLn4m71f5Zo_AKxLXuqSM-446MDQ3g=)
35. [toastmasters.org](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQFtZenv42AisBwLr57itp1f_FuR--rdkjhkbzPbyGpIF2YEu7Smr3t8R2b34_mKbfCbSzOctP1rrRcgqTZJCfn9BicYyxp14st0Oc4VbJfWVGXlIDmJH8R60sCfVTmkWxkmPe4kz03YnjvXnAlzPCf9EqVOWQCG9gXECeoAFEp-Vlu8Ka5fcNGraUtNnU8NfvY-gOdnQoK0GDjYD432)
36. [toastmasters.org](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQEWvyvcU_-nRvrcVFhJIWQnGmlte7dLprqH8Wt8Z7wUA0235ucuOz-Hlx-8q8BQHO8AsxQ8Ij-BFwxMc0-AQ_RdTrJDwd3B3Hyx6bZc5f9A-eqaao6yymXEJnHi6MftmsS-Cs5URaDtFzhMqNZYOC6fhE6Zf3jmpqZ1Pq3fewYCV1pfpVEUPg4=)
37. [reddit.com](https://vertexaisearch.cloud.google.com/grounding-api-redirect/AUZIYQFKx19LFVA4e1G2Ub0oVakT1t9oADTe3YEtcCL5gVPvWTz03TCx8iS0cBMdCPQHXuhjH1r_501kBAmqWARLGieScba6DotPFfhFkv4OOgPBsABxdciExgN1I6iiO6OnH5kUiE2FqUhYsQgEQbKWDulDGNZJFwt57C-rlSwIA7_xbVVk33E=)